I didn't think much of Madagascar, which had an unfocused story, no internal logic, and only a few laughs, scattered mostly among the minor characters. It relied too much on pop-culture references, too, a common problem these days in animation. So I'm glad to report that the sequel, Madagascar: Escape 2 Africa, is an improvement. The story has a clear protagonist (instead of the lion and zebra battling for screen time), it's a bit more straightforward, and the movie references are all but gone. It's still primarily the supporting cast that's funny, not the leads -- but hey, if Dreamworks were capable of doing everything right it would have to change its name to Pixar.

The sequel, again directed by Eric Darnell and Tom McGrath, finds our heroes having repaired a dilapidated airplane and now preparing to fly themselves back to New York. But instead, they crash-land not far from the island of Madagascar: on the continent of Africa, in fact, and in the very animal preserve where Alex the lion (voice of Ben Stiller) was born. He is joyfully reunited with his parents (Bernie Mac and Sherri Shepherd), and his friends are thrilled with their ancestral homeland, too. Marty the zebra (Chris Rock) is able to run with a herd for the first time, Melman (David Schwimmer) finds his hypochondria to be a hit with his fellow giraffes, and Gloria (Jada Pinkett Smith) loves that with hippos, fat equals attractive.

What's happening in Hollywood? Does no one have a day planner? Can nobody stick to a schedule? Pushing a film's release date back a week or two isn't a big deal, but when you move it to an entirely different calendar year, that changes everything -- especially its Oscar chances.

As we've already mentioned, rumors are swirling that the Weinsteins' The Road won't be done in time for its November release, and maybe not for December, either. Now we have three more titles on the move. Jeffrey Wells at Hollywood Elsewhere is reporting that the Weinsteins' Hurricane Season, an Inspiring Sports Drama® about a high school basketball team composed of displaced Katrina survivors, is "not ready" for its planned Christmas Day release and is being pushed back to March. And at Paramount, two Oscar hopefuls, Defiance and The Soloist, are being bumped to 2009, too, according to Variety.

The Soloist move is the one that should raise the most eyebrows. A true story starring Jamie Foxx and Robert Downey Jr. (pictured), it has all the hallmarks of a feel-good Oscar contender, and that's how Paramount and DreamWorks (which produced it) were positioning it. But now it's being moved from Thanksgiving to March, which is basically Paramount's way of saying they don't have much confidence in its Oscar potential after all. At the very least, it means they think its chances of making a lot of money (which are higher in March than in the crowded holiday season) are greater than its chances of winning awards. Which might actually be a very smart financial move, so good for them.

Despite having previously established my feelings about this weekend's Quarantine, I must confess a new willingness to give it a fair shot later tonight. Regardless, this week's Cinematical Seven is all about first-person horror movies, with a couple of oh-so-subjective stipulations:

• We're leaving The Blair Witch Project (1999) out of this. It might not have been the first of these movies, but it was undeniably the most successful and influential. There are only seven slots here, and I feel like everyone has already made clear whether they find this scary or just stupid (I fall in the former grouping, though I say this having not seen the flick since my teens). If you still feel the need to take BWP to task, comment away.
• Also omitted will be The Last Broadcast (1998), which drew mild controversy at the time of its release for its similarity to Blair Witch. I'm only not writing about it because the copy of it sitting just over on my shelf here has remained unwatched. My bad.
• The previous film by the guys behind Quarantine is The Poughkeepsie Tapes (2007), which -- being in the hands of the Weinsteins -- has not yet seen the light of day beyond a couple of festivals. Having not attended any of said festivals myself, I'll just sit here and guess that it'll get dumped to DVD (probably under the Dimension Extreme label), and not any earlier than next year at that.

Now, on with the list...

Steven Spielberg has yet another project that he's keen to make his next directorial gig -- according to The Hollywood Reporter, he's just snagged the rights to Chocky, John Wyndham's famous sci-fi novel.

Chocky is more famous in the United Kingdom than here in the States, as it was the basis for a television show in 1984. It centers on a young boy who has a rather tumultuous relationship with his imaginary friend. His father grows concerned that his son has not yet abandoned his imaginary friend for real ones -- and slowly, he begins to realize that the invisible friend is actually an alien consciousness that is residing in the boy's mind. It's old territory for Spielberg, right down to the government forces who are far too interested in the boy and his alien. Surely, Chocky is some reader's favorite book or childhood television memory, and I'm keen to hear your opinion of its big screen potential.

Nevertheless, don't get too excited, Chocky fans. Given Spielberg's break with Paramount, it's uncertain where the project will end up -- DreamWorks has optioned it, but all of its properties automatically end up with Paramount, which would require Spielberg to actually buy it back for his own development. And this is just one of a slew of projects Spielberg has acquired lately. He still has Tintin, The Trial of the Chicago 7, that long-delayed Lincoln biopic, Cowboys and Aliens, and The 39 Clues. All are technically owned by Paramount, all are "the next picture Spielberg wants to direct," and all need to be re-purchased if he wants to develop them at DreamWorks. So by 2009 or 2010, you might see Tintin, you might see Chocky, or you might see another project altogether. Spielberg is covering all his bases.

I'm of two minds when it comes to this fall's sure-fire awards contender, The Soloist. One half of me is in mild awe that, even in 2008, we find ourselves staring down an awards bid in which a failed journalist and a failed musician help restore one another to their former glory, live life to the fullest, so on, so forth, etc. Yeah, I know it's based from a true story, but that doesn't make it instantly inspirational (well, it does for some).

The other half, however, acknowledges that two talented actors could make something special out of the material, and judging from this new trailer over at Yahoo! Movies, Robert Downey Jr. and Jamie Foxx might be just the men for the respective roles. (Oh, and Joe Wright's directing, perhaps out of a need to make a film that didn't involve the melodramatic romances carried out by a character played by Keira Knightley.)

So what do you guys think? Will this be as much of a cross between Resurrecting the Champ and Shine as I suspect it to be, or is your personal performance-hunch-o-meter positively a-tingle?

The basic plot of Alfred Hitchcock's Rear Window -- man believes he witnessed a murder, has to prove it really happened -- has been reused for so many films and TV shows that it's not that surprising when another homage or ripoff comes around. Yet last year's Disturbia, starring Shia LaBeouf as a guy under house arrest who thinks his neighbor is a serial killer, bore close enough resemblance to be labeled an update on Hitchcock's film. And now, not surprisingly, Dreamworks, its parent company Viacom and Universal Pictures, are being sued for creating an unauthorized remake.*

The defendant in the case is not exactly related to Hitchcock's film, though; the lawsuit was filed by Sheldon Abend Revocable Trust, which owns the rights to Cornell Woolrich's original short story "It Had to Be Murder" (called "Murder from a Fixed Viewpoint" in the article), upon which Rear Window is based. Film business followers may remember the name Sheldon Abend from the important Supreme Court copyright case of 1990, Stewart v. Abend, in which Abend sued James Stewart and the production company Patron Inc. after Rear Window was aired on television.

If you've seen both Disturbia and Rear Window do you think the case is valid? Is Disturbia really that much more of a ripoff than Manhattan Murder Mystery, Head Over Heels and most of Brian DePalma's early career? Even Antonioni's Blow Up and Coppola's The Conversation are fairly similar in concept. Obviously some works, such as the Simpsons episode in which Bart thinks Flanders murdered his wife, are okay because they fall under the permissions of parody.

*Note: We accidentally listed Steven Spielberg as an executive producer on Disturbia, though he was not. That information has been removed from the post. [ed]

Despite being seemingly obligated by demographic alone to enjoy it, I didn't particularly care for Michael Bay's Transformers, even after a recent second look on the small screen. Regardless, the people have spoken with their wallets, and Transformers 2: Revenge of the Ka-Ching is well underway for its release next summer.

Embedded above is the first of several behind-the-scenes videos that Wal-Mart will be providing in the coming months, and right from the get-go, the visionary Bay talks about not only making a sequel that'll make kids' dreams, but also sticking his custom-made Nikes up the collective ass of his crew. Watch as "Bay-os" and "Bay-hem" ensue in Bethlehem, PA, with fast bikes, nice cars, and big booms...

Heck, just about the only thing missing from this two-minute taste is some sweet hand-injury action.

Remember that ginormous project called 39 Clues that was announced awhile back -- a worldwide mystery to span books, interactive games, trading cards and a movie deal, courtesy of Steven Spielberg? The first book in the series, The Maze of Bones, hits shelves all over the world next Tuesday, the same day as its interactive online game. Will it spark an obsession along the lines of Twilight or Harry Potter? Time will tell.

Steven Spielberg has confidence in it, though. Acccording to Variety, he's hired his old pal Jeff Nathanson to pen the script, marking their fourth collaboration together. They paired up previously on The Terminal, Catch Me If You Can, and Indiana Jones and the Kingdom of the Crystal Skull. Spielberg is still eying Clues' director's chair, and it will be interesting to see where this can fit into his busy schedule, where Tintin and Lincoln were taking precedence. Does he want this worldwide money hunt (the prize for solving the project's mystery is $10,000) to be over before the movie, or will the bloom be off the rose by then? What if the whole multiplatform concept fails spectacularly? Are the books still filmable? The ambition of 39 Clues leaves me doubting whether it can deliver -- but I can hardly pretend to have better judgment than Spielberg. At any rate, I'll be watching the book pages with interest to see what audiences make of The Maze of Bones -- if anyone out there buys it, give us the scoop!

Considering the lengths to which the Tropic Thunder gang went to sell all of their Hollywood fakery, it comes as little surprise that the mock making-of Rain of Madness does exist beyond a mere trailer (embedded above, and probably not kid-friendly) and website. However, while I'm sure it'll be included on the eventual DVD, who's really going to wait that long when it's currently available as a free iTunes exclusive?

That's right: for thirty minutes and zero dollars (yep), one can follow filmmaker Jan Jürgen (co-writer Justin Theroux, acting as if making Werner Herzog's Werner Herzog were making Hearts of Darkness) as he chronicles the expensive chaos that went behind making the movie within the movie. Star/director/co-writer/probable caterer Ben Stiller explained in a recent press release: "We wanted to do a fake documentary about the making of the movie within the movie which is called "Tropic Thunder" -- not the actual movie "Tropic Thunder". The fake documentary focuses on the real movie's fake director, and what happens to the fake cast before they go into the real jungle. It's pretty straightforward."

Well, I know who I am. I'm the dude playing the dude currently downloading this S.O.B. Any of you who follow suit, share your thoughts below.

For those concerned commenters, I'm well aware that Werner Herzog did not, in fact, direct Hearts of Darkness. However, Mr. Theroux is behaving as if he were Mr. Herzog and, as such, proceeded to make a film not unlike the doc actually made by Fax Bahr and George Hickenlooper.

What I didn't know was how to directly link to any items made available through the iTunes store. I still don't, but I do appreciate the considerate ones below who were both helpful and tactful in passing the direct iTunes link on - namely, Niraj and not the exceedingly impatient Marcos.