20th Century Fox »
More 'Wolverine' Photos -- This Time With Sabretooth!
Filed under: Action, 20th Century Fox, Newsstand, Movie Marketing, Comic/Superhero/Geek, Remakes and Sequels, Images, War

Anyway, 20th Century Fox has released five new images from Wolverine -- if you saw the bootleg ComicCon trailer, you'll recognize the image above. I like that Wolverine and Sabretooth appear to be bickering moments before being "executed." Hate runs deep. My favorite of the bunch, though, is the Weapon X photo ... not because it shows off a lot of Hugh Jackman, but because I'm hoping its an indication we see the whole nasty bonding procedure. If it's another blink-and-you-miss it sequence, well, they just missed the point of doing a Wolverine origin story!
Check out all the photos in the gallery below, accompanied by the two that hit the web last week -- and don't be surprised if there's more before the trailer hits on December 12th because, come on ... where the heck is Deadpool?! Where's Beak? We want to see them, too! Even I need a break from Jackman sometimes.
[via Superhero Hype]
A Glimpse of Gambit, Wolverine's Co-Star
Filed under: Action, Fandom, 20th Century Fox, Newsstand, Movie Marketing, Comic/Superhero/Geek, Remakes and Sequels, Images

Cheesy clothing aside, I think Kitsch embodies Gambit quite well. He's got the right amount of scruff, the right hair, and he flings his cards with a casual machismo. This character is one of my biggest stumbling blocks for the movie, because I just don't get where he fits into a Wolverine origin story. He was a buddy to Wolverine in many of the comics, but was usually relegated to being a French Captain Obvious. "Mon ami, you are going to use them adamantium claws, no?" Fans love him though, and after being left out of three X-Men movies, I suspect they've used any excuse they can to work him in. But I know Gambit fans are psyched -- and the fact that he's probably being groomed for a spin-off should make up for his lack of X-Men screentime.
Holiday Movie Junk: 'Alien' Cookie Jar
Filed under: Horror, Sci-Fi & Fantasy, Fandom, 20th Century Fox, Holiday Movie Junk

At a recent horror convention -- admittedly my first -- I almost exited the merchandise room that had already put a regrettable dent in my wallet (and I say this having not bought anything all that shameful), and yet, there it was, something to give my geeky heart pause, shorten my breath, tighten my pants, all that jazz.
It was a cookie jar modeled after the egg(s) from Ridley Scott's ever-awesome Alien, and as sure as the sun shines, it was gone the very next day. However, an Amazon.com vendor appears to still have a handful left, at the 'ooh-maybe' price of $49 USD. I can also tell you that a handy Google search will show other sites with them available, though most seem to have it at a steeper cost.
Anyway, the film is approaching its thirtieth anniversary, the holiday season is under thirty days away, and every cookie consumed is a new excuse to trot out the line "What's the matter, the food ain't that bad!" As you mull that over, the rest of our Holiday Movie Junk series can be checked out at this link; as far as making your final decision is concerned, though...
You have my sympathies.
Hugh Jackman DOES Want Wolverine in Japan!
Filed under: Action, Sci-Fi & Fantasy, RumorMonger, Fandom, 20th Century Fox, Newsstand, Comic/Superhero/Geek, Remakes and Sequels
Every bit of X-Men Origins: Wolverine news erodes my dignity a little bit more. Okay, I don't actually have any dignity ... but I really should be more patient before posting. Just a few days ago, I wound myself up over Jeff Katz's "last time I talked to Hugh Jackman, this is the Wolverine sequel he wanted" quote. And now, Jackman himself sat down with MTV and confirmed that he really would love to take Wolverine to Japan. "The most intriguing thing to me was the Japan story. I love the Japan story. I wanted to do the Japan story from around X-Men 2. Can you just picture Wolverine in Japan with the triads and the samurai? It's just genius."
Now, I used to mock Wolverine's Japan adventures as being a way to cash in on Karate Kid fever (mostly to annoy other comic devotees), but Frank Miller's vision of him as a ronin is genius. With a single book (which you need to read if you haven't already), Miller and Chris Claremont deepened Wolverine from a beer guzzling thug to the poetic badass we all know and love today. Of course, now every Wolverine comic writer gives him a doomed Japanese bride, but there was a time when it was novel, romantic, and tragic.
So, why didn't Jackman & Co. do that story instead of the mutant extravaganza that Origin is rumored to be? "How can you do that before you explain his origins? If we tried to mix the origin and Japan together, it wouldn't do justice to either. So you can tell by the answer where I'd like it to go." Darn you, Jackman. You're right, of course, but this just means I have to wait that much longer, and hope that Wolverine is good enough for it to happen.
Oh, and check out yet another new Empire photo after the jump. Looks like he fills out his jeans as nicely as his tanktops.
More Muscle From 'X-Men Origins: Wolverine'
Filed under: Action, Sci-Fi & Fantasy, 20th Century Fox, Newsstand, Movie Marketing, Comic/Superhero/Geek, Remakes and Sequels, Images
Well, Happy (Almost) Thanksgiving indeed. Between Australia and the flood of X-Men Origins: Wolverine news, you can't turn around without seeing Hugh Jackman's biceps somewhere this week ... not that I'm complaining. How did it take so long for him to be dubbed Sexiest Man Alive, anyway? The physique should have earned it twice over.Anyway, get a peek of Empire's new Wolverine cover, which will be on shelves in December. Click on him to get the whole thing, and tidbits like this from the magazine's tell-all set visit: "There's a scene in the first X-Men movie," says Jackman, "where Wolverine's introduced in a bar, fighting in a cage, and you felt that he did this every night of his life. If this movie is successful, you should feel that this guy can walk straight off the end of this film and into that bar. "
And in other Origins news, ComingSoon has confirmed that the film's trailer will be seen on December 12th, attached to The Day the Earth Stood Still. Some say that means the sci-fi remake isn't very good, and Fox is counting on the trailer to bolster ticket sales. But do people really do that, particularly in these tough economic times, and with bootlegs providing instant gratification? I doubt it. We'll post it as soon as it appears online, though, count on that.
Cinematical Seven: Terrific Turkeys of the Aughts
Filed under: Action, Drama, Horror, Thrillers, Mystery & Suspense, Sony, Sony Classics, Warner Brothers, 20th Century Fox, Cinematical Seven

In honor of the Thanksgiving holiday that nears, it seemed only fitting that our minds turned to those films for which we are most unexpectedly grateful, those flops and duds, those bombs and turkeys rife with unintentional humor and renewed entertainment values. Now, we've pretty much stuck with the past decade or so with our picks; anything before that has either been done right by MST3K or is probably titled Showgirls.
With that said, please enjoy this Cinematical Seven responsibly, and do feel free to contribute your own personal favorite howlers of late in the comments below...
1. Twilight (2008)
Oh, dear God, I'm kidding. J/K!
Review: Australia
Filed under: Drama, New Releases, Theatrical Reviews, New in Theaters, 20th Century Fox, Western, Nicole Kidman

With his previous feature film Australian director Baz Luhrmann came within tasting distance of a Best Picture Oscar, as well as several other awards. Moulin Rouge! (2001) did win two, for Costume Design and Art Direction, but all the glory that year went to other things. He must have taken notes; The Lord of the Rings: The Fellowship of the Ring cleaned up in the technical categories with four Oscars, and Black Hawk Down took two more. Two serious, disease-of-the-week dramas won in the "upper" categories: A Beautiful Mind and Iris. The following year, Luhrmann must have watched while the jaunty Chicago won Best Picture, and Roman Polanski won Best Director for his lengthy Holocaust drama, The Pianist.
So Luhrmann set out to work on his fourth film, Australia. Maybe it started out once, many years ago, as a 90-minute pop-Western about driving cattle and saving the farm. This entire section is bright and quick and exciting -- and lots of fun. But then perhaps he decided that that just wasn't enough, or at least it's not enough for anyone who wants to win a great big Best Director trophy. So at the 90-minute mark, Australia more or less stops, transforms itself into a giant-sized World War II drama, complete with grayness, dropping bombs and angel choruses, and keeps going for another interminable hour. But is it enough to fool Academy voters?
What's Next For Wolverine?
Filed under: Action, RumorMonger, Fandom, 20th Century Fox, Comic/Superhero/Geek, Remakes and Sequels
.jpg)
Former Fox executive Jeff Katz is praising X-Men Origins: Wolverine to the heavens -- or at least to MTV's Splash Page. He thinks Wolverine's solo movie will be his finest hour (or two) yet, and insists that everyone involved has a perfect grasp on the character.
"To me and [Hugh] Jackman, our mantra for Wolverine has really been one term: 'bad-ass.' As long as Wolverine is consistently bad-ass, people are generally going to go with you. That's what they want from that character. Iron Man comes out and it does a tremendous business, Batman comes out and it does a tremendous business, and the inclination in the movie biz a lot of the time is, 'Well, that thing just worked, so we have to chase that. But as comics people know, Batman is not Iron Man is not Superman is not Wolverine - they're all different."
Call me infatuated, but I don't doubt Jackman's take on the character, and I fervently hope all claims of darkness, grit, and violence come to pass. My concern has always been how many mutants they crammed into a Wolverine film that are, as Katz puts it, "fanboy friendly" and poised for sequels of their own. Deadpool is one thing, but Gambit and Emma Frost are another.
What does wind me up, though, are the possible plans Katz was privy to for future Wolverine films. "I can't speak to what's been discussed in the interim since I've been gone, but Mr. Jackman certainly has a desire to go to Japan." And with that, Mr. Jackman, you just became my favorite person in geekdom. Let's get together sometime and talk a certain Frank Miller book, just for laughs.
Look for the first X-Men Origins: Wolverine trailer in front of The Day the Earth Stood Still in theaters December 12.
'X-Men: First Class' Actually Happening
Filed under: Action, Sci-Fi & Fantasy, Deals, Scripts, 20th Century Fox, Newsstand, Comic/Superhero/Geek, Remakes and Sequels

The studio is keeping quiet on the finer points, but it's unlikely that it will revolve around the teenage versions of Cyclops & Co, as the series X-Men: First Class actually does. Instead, they'll be using the young X-wannabes introduced in the previous three films, like Iceman, Angel, Rogue, Kitty Pryde, Jubilee (if you can call her cameo an introduction), and Colossus. I'd love it if they kept it current to the comics by mixing some of the Astonishing students, like Blindfold and Armor in -- especially if Armor replaced Jubilee.
Baz Luhrmann Kills Off 'Australia' Rumors
Filed under: Action, Drama, Romance, RumorMonger, Celebrities and Controversy, Scripts, 20th Century Fox, Newsstand, War, Nicole Kidman

I'll fill in the spoilery blanks for you now -- rumors were that test audiences were quite appalled that Hugh Jackman's character, The Drover, died at the end of the film. Fox was certain that Jackman's tragic end spelled doom for the box office, but Luhrmann brushes off the rumors, calling them "naive" and "profoundly misinformed." He also points out that Fox would hardly have taken issue with The Drover's death, since they happily froze Leonardo DiCaprio in Titanic, and we all know how that box office turned out.
It turns out, he filmed three different endings and tested two -- one where Jackman lived, and one where he died. Audience reactions were the same for both endings, but he decided to choose the third, which remains a mystery to all but him and his cast. "There was always a struggle within me," he said. "There's the way Titanic ends and there's the way Gone With The Wind ends. It's neither of those. It's an ending specific to this moment and it's what I want the film to give out and what I need in my own life. It's what I want to feel. On that level, it's completely personal."
So, now you have it -- Luhrmann is firmly in control, we'll be delightfully surprised by the ending, and I may not have to watch The Drover die. Good news all around! (We won't talk about the fact that its reportedly still not done ...)








